Each bit in the series is epic in size, and all are numbered and signed.
Facts about Sorum's art collection:
* There are a number of 5 different visual pieces in the appeal to take from.
* Of the five pieces, there will a number of 130 total drafts to own, each numbered and signed by Sorum. Once those pieces are sold, no more drafts will be printed.
* All of the art pieces in the appeal are prominent in size. The largest is 60" x 48" and the smallest piece is 30" x 20".
* Beginning in September, Sorum's collection will become available to galleries in the United States and Europe.
* Like all SceneFour art releases, you can buy the man in full, or you can own a while through a payment plan (with no interest charged).
Interview with Sorum about his art collection:
Question: With this collection, you're creating artwork through your rhythms. Are the drumsticks you're paint brushes? What can you order us around the drummer becoming the artist?
Sorum: I never considered myself an artist in that work until it was brought to my attention that it could be done. So I suppose there are similarities to painters. You love the sticks relate to brush strokes. The fact that we're able to get that range and create art out of it and the similarities and reach aspects that artists can achieve with a brush, I think makes solid sense to me. I suppose there's a similarity. Whatever motion each man has, in a different way, creates their vision. Great artists have a different sense from each other, nobody is similar, everyone has a different film on things and it comes through in the movement.
Question: Though the art is abstract, there are definitely things that get through visually with each piece. Did you see that the performances would spell out so highly visual when you started creating these?
Sorum: To see actual shapes and images is sort of a trip, as is the congress to arm movements and physical movements that make mental images in the art. You experience it could be a sort of scientific study here. The fact that there's a grimace that looks like Jesus in one of the pieces and in another print I very strongly recognized a skull, if you begin to get into a heavy process about it.who knows.
Question: There are but 100 canvases in your collection. Can you talking about the special nature of this appeal and how those that will own the work, in effect will own a performance?
Sorum: I reckon it's something that they can feel, a different position of you that they've never felt before. If they're a fan of my career, they'll ever make a sensation of who I am watching me through my spirit and now they can search at something that is entirely different from what they could carry from me. To me it's got an emotion inside of it. You've heard the music, you've seen the concert, you've watched the picture but there's something a little deeper here that I looked at and went "Wow," this takes you more inside of the actual belief that comes from whatever it is I'm presenting as a musician. I wish that, and I'm very proud of this. It's like I can see myself a well-rounded artist. It's like, "I haven't done it all, but I'm getting there."
Question: You're the commencement to do this.
Sorum: I recognize there's leaving to be a lot of drummers that are going to go "wow." And I've presented it to a lot of my friends, but now they're all loss to go, "I wish to do that." And that's cool you know. I suppose everyone is passing to get a different film on this thing. That's the sweetheart of it.
Question: Why did you need each of the canvases so big?
Sorum: The sort of medicine that I work is large so I couldn't see it scrunched into a small canvas. I'm sort of known for existence a flamboyant grandiose type of player so you know, so it's a little bit over the top, the showmanship. It should be big, you should be capable to see at the fence and say, "That's exciting."
To see the collection, visit MattSorumArt.com.
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